Action match
This is when following a certain character (e.g Harry Potter casting a spell) which is a purely technical device. When a action match is used for inter cutting, it can heighten the contrasts between two different characters in two different situations.
Eyeline match
This is usually used to provide insight into a characters thoughts. For example the picture below suggests what Jamal from Slumdog Millionaire is thinking what the answer to the question is.
Final shot
This is where in any scene in which characters or a character is shown in the final shot of the sequence. This is normally the character who the audience have to identify. The image below is a final shot used in Eastenders which are usually cliffhangers.
Intercutting
This is used to draw two storylines together, this can be structured to create tension,
and therefore heighten the audience’s identification with a particular character. In Hotel Babylon, intercutting
offers both tension and juxtaposition: just as Adam is saving his colleague’s life with a jar of jam, another African immigrant, Ibrahim, is being lost. The tension and juxtaposition lead the audience to identify with both
characters.
Jump cuts
These are rarely used in TV or film; when they are, they tend to suggest either chaos and disorder,
self-conscious ellipsis (drawing attention to the rapid pace of the action) or by a director who likes
Continuity editing
A highly standardized system of editing, now virtually universal in commercial film and television but originally associated with Hollywood cinema. A key element of the continuity system is the 180 DEGREE RULE, which states that the camera must stay on only one side of the actions and objects in a scene. An invisible line, known as the 180 DEGREE LINE or AXIS OF ACTION, runs through the space of the scene.
In an instance of two people facing each over you would have a load of shots throughout the passage. Foe example: establishing shot, re-establishing shot, long shot, medium shot and two shot (shot with two people). These shots usually alternate between the two speakers, with the camera placed at more or less opposite ends of the axis of action between them.This pattern of alternating shots is called the SHOT/REVERSE SHOT.
Cross cutting and Parallel editing
Cross cutting is a pattern of editing that alternates shots of two or more lines of action occurring simultaneously in different places. For example there could be a shot of someone in pain after being stabbed, then a shot of an ambulance driving.
Parallel editing involves the same pattern of alternation, but does not necessarily imply temporal simultaneity (two events happening at the same time). An example would be contrasting two scenes of happiness and sadness.